SONGWRITERS BY THE SEA: A Back Stage View. The Strand Theater. Lakewood, NJ.  By Calvin Schwartz

Author’s Note:  I was so overwhelmed by the electricity and intimacy of this special musical event, that the following words/descriptions you are about to read are designed to make you feel what I felt being there. Of course the words should also move you to find the next ‘Songwriters by the Sea’ yourselves.

I was picturing something new, filling with anticipation and even uncertainty and whispering words of a long forgotten gut wrenching song, “What’s it all About, Alfie?” Why am I whispering words and not singing? Because I can’t sing and I wish I could since the time my Newark elementary school put on a musical play in the auditorium. A picture of then President Eisenhower hung just to the right of the flag. Kids who could sing got special attention and privileges. I wish I could sing.

This night was special. I was driving down foggy misty Route Nine from Springsteen’s Freehold, New Jersey, toward Lakewood’s Strand Theatre for my first indoctrination into a wondrous backstage event. Alas, I can’t sing but I can write visually and sail through streams of consciousness and imagination. I was picturing things as my right hand negotiated a steering wheel. It was ‘conjure-up things’ city on a strangely empty highway.  Suddenly I was at Giants Stadium in the Meadowlands (I still call it that). Seventy thousand fans were yelling “Bruce.”  My seats were humble and I was without binoculars. Just to see his face up close would’ve been everything. All of a sudden, as I passed a diner and barren parking lot, I was in a small Vermont town where a veterinarian’s assistant was the mayor.  A group of 44 people were gathered on her green lawn in front of a porch that circumnavigated the house built by relatives of Ben Franklin. A musical porchfest was going on. I parked my car, walked over; everybody greeted me and I saw the lips of the singers moving and felt the exhaled breath of each word.  And I heard every word. They were singing just to me.  Relevance was my new favorite buzz word. The fog was thick; I couldn’t see the porch anymore.

A sign on the roadside welcomed me to Lakewood. Now back in Jersey and about to enter the world of a porchfest on a backstage of an historic theatre. Slip me into the world of art deco and put me next to a radio to hear President Roosevelt or Mayor LaGuardia.  My anticipation was as thick as ketchup; the French banned this red food stuff in their schools; I remembered and smiled about the quirky randomness of my thinking. I was cylinder firing away because of my extreme excitement to be at a backstage event.  I was following maze like theater corridors and magic marker signs leading to back stage at the Strand Theatre. I was really there.

I’m a native Jersey guy who likes history. The Strand opened in 1922 when Lakewood was actually popular with the rich and famous of the day like Rockefeller. The theater was built with a sense of acoustics as many performances of the day were solo acts. And here I was, about to walk onto the stage of the Strand for a magical acoustics evening. The Strand was signed into the National Register of Historical Places in 1982. My tripod, mono-pod and TV camera were gently deposited on the floor as ‘Songwriters by the Sea’ co-founder Joe Rapolla greeted me within my first few steps on stage. In 2008, Joe Rapolla and Joe D’Urso created the concept of ‘Songwriters’ who performed then in Asbury Park at America’s Cup Coffee on Cookman Avenue.  After a year in Asbury Park, the concept grew in popularity with audiences and they expanded to Backstage at the Strand in March, 2009.

I need to qualify my writing style; strictly from the gut and reflective how songwriter performers emote while the surroundings add ambience to my writing soul. Joe Rapolla’s poignant life and musical journey has already hyper sensitized my words and observations. Therefore, this is not a review.

For the first half, I decided to plant my TV camera in the back of the stage which was several rows away from the songwriters. I wanted to feel songwriter intimacy and connections being part of the real audience.  I flicked the camera on auto and spiritually drifted. The old renovated theater was dark and empty; light from the stage managed to illuminate the first few rows of seats.  Dimly lit chandeliers added to surrealism; for me a silence you could see. Silence was part of the history in the walls; Burns and Allen once performed here; so did the Scarecrow, Ray Bolger. I heard Gracie’s shrill voice.

D’Urso (remember we’re dealing with two Joe’s) introduced the first group of songwriters.  Cat Cosentino (from Oceanport and proud of it) and Bobby Mahoney (only 17 and therefore couldn’t avail himself of a real drinking bar in the rear) were the youngest rising stars. Tom Breiding lives in West Virginia while Bill Toms is near Pittsburgh. Bill talked to us like we’re in his living room back home. “The hardest person to get to know is yourself.”  Then the song words , “I’ve made peace now with a stranger in me.” Backstage means stark silence except for voice echoes. He sang to me. Three rows in front, a man on the aisle rubbed his cuticles. Why write about that; because of the intimacy of backstage; sensitivity and in tune with the immediate world. I pinched myself; purist joy what I was part of; affluent, audible, flowing, meaningful words. I was back in the Meadowlands briefly, starved for wordy echoes.

Cat’s first song was dedicated to her parents; her voice melodiously electric. Bobby sang “A Delicate Fall from Grace;” which reminded of a whip ride back in Newark; that sudden acceleration.   Tom Brieding sang about finding one another as we drift between stars. What meant everything to me being backstage is I heard every resonating word. The singers told stories. “You talking to me,” then I told the taxi driver to let me be. I love backstage.  A man on the left, two rows down took a swig of beer; the bottle level was half-way.  Then I saw a leg wearing cargo shorts stretch out in the aisle, moving to the beat of the music; the calf muscle flexed visibly. Gosh, I was in an electronic hyper state. The Strand environment worked magic.  Then I whispered to myself (I do that in states of elation), “Thank you Rapolla and D’Urso.”

Intermission and time to position the camera on the side of the stage; different absorption I imagined. Both Joe’s would sing. And Garland Jeffreys, a living legend; I was a few feet away. Guy Davis; unbridled energy and blues.  Jerzy Jung;( her real name) with keyboard inches away from me. Joe D’Urso, a Bronx native, sang, “I’ll prove it won’t be dark, all the stars will be out tonight.”  While singing ‘Chocolate Man,’ Davis touched the audience.(proximity and sensation). And to hear every breath Garland Jeffreys took while singing ‘Coney Island Winter,’ was nirvana. “Hey Mah,” I was in that place of magic. I don’t know where James Cagney came from. Maybe I do know. I’m backstage clicking my heels.

Then Do-Wop from D’Urso and the gang. He really corralled me all the way back to Newark, New Jersey, with the words, “Why must I be a teenager in love.” The power of backstage music, I thought. The Good-Humor man was selling this new ‘Toasted Almond’ bar.  Jerzy spoke about any woman or girl who ever felt unsure of herself. Soon, I was sitting around a fire place with a few fraternity brothers; Harvey had a guitar and was singing a folk song; ‘The First Time Ever I Saw Your Face.’  I tried to sing along. They told me to stop.  I heard Rapolla’s wooden stool scrape along the stage. I was back on stage in awe, amazed at the clarity of the stool scraping noise.

Every word from Garland Jeffreys was heard while he was way down in Spanish town.  And when he wasn’t singing, I watched him tap his feet to the beat. How many singers have I seen do that; certainly not from the running track in Madison Square Garden or standing chest to shoulder in a bar or in a park with a makeshift bandstand and hundreds of beach chairs as forward motion impediments.

Joe Rapolla talked about giving kids advice on love. “Don’t be afraid to throw your heart on the wind.” You’ll never know feelings of songwriters unless you are backstage.  All of a sudden Bill Murray pounded a clock radio alarm at 6:00 AM.  ‘Groundhog Day’ flashed. I didn’t want this night to end. Later Jerzy said that uncertainty wasn’t a bad thing. And the harmonica playing by Davis was riveting.  Jeffreys walked into the audience while singing ‘New York skyline.’ Everybody was singing now. Disbelief; I noticed the shadow that the microphone wire cast on the stage floor. It was a giant shadow.  Jeffreys’ voice was a giant voice.  ‘Wild in the Streets’ with all the cast closed this backstage event. When the show was over, I mingled with the singers. Accessibility was in the theater air ducts.  I thanked both Joe’s for their remarkable vision. And I marveled again about noticing the shadow of Jeffrey’s microphone wire. But that’s this incredible backstage world; heightened awareness and sensitivity beyond imagination.

‘Songwriters by the Sea’ series is a musical atom; protons, electrons, neutrons firing away. My mind fired away and still does. It moves me to write impassioned commentary for people to escape from sedentary sofas. But what would happen to intimacy and interaction?  I thought of the word ‘secret.’ I also knew I was in a special place with special people for several hours and my atoms were musically innervated like never before.  Then I thought about my not ever being able to sing but it didn’t make a difference anymore. I was part of singing for every millisecond I was backstage.

Here is an old fashioned PS to this article. I went home and found Joe Rapolla’s cover of Elton John’s ‘Daniel.’ I listened several times in a row because I read his bio and I was still in that heightened electronic sensitized state from being backstage all night. So here’s a link:  Joe Rapolla ‘Daniel’

And I’m still listening.

Calvin Schwartz  6-1-2012

The Jersey Acoustic Music Awards on April 29th honored original artists who tirelessly perform around the state at small venues like coffeehouses. To prepare, on the Friday before the awards, I went to Point Pleasant’s Green Planet Coffeehouse to see Alexandra Inglis, a sixteen year old nominee for ‘Top 18 and Under Performer’ and was, as they say, ‘blown away’ by her voice and lyrics. During the awards program intermission, I interviewed Alexandra, who later won the award. “My mom and dad have been my greatest inspiration and support.” And she’d probably go home and listen to John Mayer.

As the hall filled it became evident to this first time Acoustic awards attendee that most everyone knew one another in this special community of Jersey Acoustic Music. Standing room only was quick. Eloquent Anton Daub, prolific in the world of hosting open mike night at Espresso Joe’s in Keyport was the MC and stressed the night was more about getting recognition from fellow musicians which convinced this was more of a family affair evening of amazing musician.

A wondrous array of singers performed in the round throughout the program in between awards. Jo Wymer’s singing ‘dazzled.’ She liked my one word description of her then went on to win Top Female Performer. Being a vintage folkie myself from the sixties, I carefully watched the category for Top Folk Act which was won by the husband and wife team of Keith and Shelli Aarden Monacchio. Shelli remembered my coming to see her last August at the SandWitch on the boardwalk in Asbury Park. Emily Grove won Top Female Vocalist and perhaps was taken back when I mentioned writing about her talent in my blog nearly two years ago, after seeing her sing at Asbury Park’s Clearwater Festival; comments still archived in my blog.

I’m beginning to think like an old ‘Beach Boys’ song, “I Get Around.’ A few weeks ago, I journeyed to the Strand Theatre for a Backstage event and saw Cat Cosentino sing. This night she won for Top Pop/Rock and deservedly so. Back to the intermission; I also got a chance to talk to Lo Kloza nominated for Top Female Vocalist and Top New Act. Exuberant and excited, she mentioned her much anticipated CD release party at ‘Downtown’ in Red Bank on June 20^th.  This is her first album and she dreams of going on tour. With Jon Caspi’s ‘the little ones’ I was noticeably moved by his song of children in the African war zones being kidnapped and made into soldiers. Right out of sixties protestation, I was really at home. As the night evolved, so I did as an absorber of such incredible talent. When intermission ended, it hit me; I wondered what folks do in Billings, Montana or near the Bridges of Madison County, Iowa, when they can sing but don’t have an Asbury Park, a musical mecca nearby. Kevin John Allen, nominated for Top Male Songwriter, performed the final song with an emotional moving twist. He brought a number of singers together in a choir like mode to sing, ‘Jesus Could You Call Me’ from his new CD ‘Life’s Lonely Rodeo.’  Sounds of silence filled the hall while they sang. For me it was a powerful ‘wow.’

Special thanks to Espresso Joe in Keyport’s Kishore who guided me through my first awards ceremony. I remain innervated and fully emoted over a magical evening of music and community which has fueled the blossoming of these words and the foundation of my future involvements with Acoustics. For more information on the criteria of the awards please go to: http://www.jamawards.org/home

For those interested, more of my writings and words can be found at my global cerebral blog at

http://vichywater.net/blog

Calvin Schwartz  May 4^th 2012

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