NJ DISCOVER SPOTLIGHT: MEET BECKY LYNE MASTERSON ; A Lifetime of Caring and Meaning   by Calvin Schwartz  March 8, 2017 

Before I jump into the spotlight verbiage of this article and talk about Becky Lyne Masterson, I just got one of those epiphanies preceded by a wondrous incandescent cerebral light bulb getting turned-on. I need to tell you about the etiology of these spotlight articles; a history lesson of sorts. It makes this article about Becky Lyne more salient and relevant.

Six years ago I met Tara-Jean McDonald Vitale, my co-host now on NJ Discover Live TV Show.  Shortly thereafter, she introduced me to NJ Discover, a full service amazing production company nestled here in Monmouth County. Then the two of us went on the road and brought news features, personalities and special places to the world of NJ Discover.  Our mantra was quickly illuminated. We would focus our energies and resources on elevating people and places of New Jersey; after all, NJ Discover is all about discovering those aspects of New Jersey which CNN, NBC, ABC, CBS and even News 12 can’t begin to devote appropriate time. We can and do. It’s who we are.

There are seven million stories in the naked (city) New Jersey. There are people who give of themselves, are dedicated, driven, motivated and out there, often invisible, beneath the radar but part of the machinery of caring and sharing. It’s easy to interview Meryl Streep, a Senator or a bestselling author.  It’s harder to fit into a yellow or pastel submarine and get below the surface to substantive Jersey lives. The people “who do the real living and dying” (a line from “It’s a Wonderful Life”).  I had to get that favorite movie in here somehow.

Often in my writing, I bring in aspects of synchronicity, journeys and things meant to be. It’s part of who I am and a very long story.  A few weeks ago, I was asked by Laura Madsen, publicist and “a lady in red who writes,” to be an extra in Sean Guess’ new film ‘That’s Life,’ shooting a scene down the Jersey shore. I love the roar of the crowd and smell of greasepaint. A few minutes before the shoot, I met another extra in the film, Becky Lyne. Within a few synchronistic moments, we were talking about mental health, giving back, autism and relevance.  Her exuberance and devotion captured me as did that alluring smile. We kept talking. They were shooting in the next room. We kept hearing, “Quiet on the set.” I love that line.  But there it all was in that one brief shining moment. I wanted to learn more about her life and work with Developmentally Disabled Adults. Becky was the embodiment of all that NJ Discover Spotlight articles should be; a road on a journey to discover. I asked to interview her.

Cut to America’s Cup on Cookman Avenue in Asbury Park on a Saturday morning, two weeks later. Firstly, Becky started working for the MENTOR Network (thementornetwork.com) in January. “The MENTOR Network is a national network of local health and human services providers in 35 states offering an array of quality, community-based services to adults and children with intellectual and developmental disabilities, brain and spinal cord injuries and other catastrophic injuries and illnesses; to youth with emotional, behavioral and medically complex challenges, as well as their families; and to elders in need of support.”  When I researched MENTOR, I was kind of amazed by all they do, and the fact I’d never really known about them upset me; my lack of awareness.   I apologized to Becky for not knowing.

I asked when this passion and need to care for special people began. She absolutely blew me away and totally surprised. “Ever since I was five years old, I’ve been volunteering with my parents at functions with the Elks.” She worked Camp Discovery for ten summers through high school.  I was beginning to grasp that all of Becky’s life in caring and helping special people was an event of destiny. I thought of the movie, ‘Heaven Can Wait’ with Warren Beatty. As in the movie, she was destined from the early beginning to give back and care.

She talked about running the Special Children’s Committee at Tom Rivers Elks which gave out three scholarships. Part of her background expertise was also an employment specialist where she would teach and guide through the real world. In 1993 she graduated high school and college in 2009. Then in 2009, 2010, 2011 she taught basic skills Math and Language Arts in the Toms River school district. In September, 2012, they removed the basic skills program from the schools and two weeks later she found out she had cervical cancer and went ahead and beat it. “Once Sandy hit, I stayed busy with collecting donations and helping others even through my own surgeries.” Listening to Becky, for me, was an experience of being Jersey tough, resilience and a belief system that I rarely run into it. I was savoring every moment of our time together.

“I got involved right away in raising money for Sandy relief. We got eight planes of donations and ten trucks as well. The relief center was run by myself, my mom, and one other.”  Becky ran the relief center at the Elks until March, 2013. There was a party at the Elks where she met Caregivers of New Jersey and started working with them. “They deal with life plans and life skills. They got a grant and I became Disaster Case Manager where 75% had to have a disability. That was the grant.”

When the grant ended in May, 2013, she went to the Salvation Army in Toms River and did an 18-month gig “advocating for the victims of Hurricane Sandy, in every aspect of getting them back to their “new normal” into a safe, sanitary and secure home and assisted with the completion of county grants and helping them to receive monies through the unmet needs table.”

In January, 2016 she went back to Caregivers and became Support Coordinator.  This past July, Becky went to ARC and became an employment specialist. Of course I asked what it all entailed. “I have to help them gain confidence, respect and teach them what the real world is like. All of them are 21 and over and must have a high school degree.” All the while I’m listening to Becky, I’m trying to jump into her shoes. Can I even comprehend the devotion it takes to do this?  There are no marching bands, testimonial dinners, or basically anyone out there in Jersey land, including myself, who fathom and grasp this incredible devotion to people who are in need.

Now I really got blown away. In January, Becky started with MENTOR. Talk about unsung heroes. She became program coordinator for a residential house. “What is that,” I asked. “There are four individuals that live there. Two are wheel chair bound and two are ambulatory. There are three houses like this in Ocean County. I run the house. There are three shifts. We manage their lives. Some can’t talk. Some are blind.” I was quiet for a moment, digesting and absorbing. “But there are only four people you care for.  There are no big groups, or activities, or softball or parties or lots of aides and helpers. This is serious intensive care. There is no aspect of anything close to fun.”

Becky smiled, understanding my response. “You have to want to work here. It is a colorful world. Yes, there is always something happening. We do go to outings. They leave the house from 9 to 4pm. Go to day programs sometimes with arts and crafts.”  What she said was so powerful to me. I have to repeat it again. “You have to want to work here.”  Like the folk song from the sixties, this was my reason to believe in the value of epiphanies and why I’m writing an article about Becky Lyne Masterson.  This is a discovery for me, meeting this kind of devotion and life’s work. Nearing the end of our time together, she talked about her young daughter and son and how they’ve already expressed to her that when they grow up, they want to be just like her. I smiled thinking all about circles of life and continuity. I also thought about my work with discovery spotlights. Meeting Becky was spotlight right on and extending thanks to my friend, ‘synchronicity in the universe’, for meeting her on a film set.

A VERY SPECIAL COMING ATTRACTION: MONDAY NIGHT OCTOBER 5^TH NJ DISCOVER LIVE RADIO/TV SHOW with hosts Tara-Jean Vitale & Calvin Schwartz with Our Guests, Actors & Director from the film “Who’s Jenna…?”  Tune In  at 8PM or Watch on YOU TUBE TV or Long Branch Cablevision     bY Calvin Schwartz
 

THE FACTS:  Monday Oct 5^th 8 to 9 PM at  http://www.njdiscover.com/wp1/  OR  https://www.youtube.com/watch?v=wQmwbkYuCVU&feature=youtu.be

for the live radio broadcast of NJDiscover Live. Immediately following show is on

https://www.youtube.com/watch?v=wQmwbkYuCVU&feature=youtu.be   for the YOU TUBE TV broadcast.  The show airs all month on Long Branch Cable TV Channel 20 (LBCTV20), which airs on the Comcast digital TV network.

beginning October 12th every night 9PM

THE GUESTS:  Actors from the NJ based romantic comedy, “Who’s Jenna…?”  Garry Pastore, Lenny Venito, Michael Tota, Bill Sorvino, & Joseph D’Onofrio AND Director Thomas Baldinger.  The hour show explores Indie films, the careers of the actors and director, life & improv on the set of “Who’s Jenna…?”

LINKS TO CHECK OUT: Production Company:   www.624-Productions.com   IMDB: http://www.imdb.com/title/tt4317858/?ref_=nm_ov_bio_lk2

Laura Madsen, publicist:   http://www.theladyinredblog.com/

SPONSOR:  NJ Discover Live Radio/TV is proud to announce our new Sponsor : WindMill Restaurants  www.windmillhotdogs.com

HOW THIS SHOW EVOLVED:  Back in August, I was invited by Publicist Laura Madsen to spend time on the set of “Who’s Jenna…?” for an article on NJ Discover.com.  It was the perfect follow up to do our LIVE show.  Here is a reprint of the article:

SPOTLIGHT: ON THE NEW JERSEY SET OF FILMING “WHO’S JENNA…..?”   And A CONVERSATION WITH DIRECTOR TOM BALDINGER   bY Calvin Schwartz    September 9th 2015

Hooray for social media, networking and circles of commonality. For the last several years, Laura Madsen, publicist and innovative writer/blogger at  http://www.theladyinredblog.com/  and I have travelled in similar circles of commonality( as I call it). Our energies and passions emanate from Jersey life and the arts. If you’ve read my musings over the past few years, I’ve postulated that Jersey has become the pop culture capital of America and Laura is always at the epicenter. For verification of the postulate, just look at ‘The Soprano’s’, ‘Boardwalk Empire’, “Jersey Boy’s’, ‘Jersey Shore’, ‘Jersey Housewives’, ‘Garden State’, and ‘Jersey Girl’.  Laura and I never had the opportunity for the sharing of notes and synchronicities; we never met formally.

A few weeks ago, Laura contacted me via Facebook and asked if I’d like to cover the filming of a feature film, “Who’s Jenna…..?” which is a comedy  written by award winning producer, director Tom Baldinger from 624 Productions, LLC, a New Jersey based company. Laura hinted that the film title had something to do with an adult film star but that’s all she said. My response to her was immediate and decisive; “I’d love to hang around the set and do some absorbing and interviewing for NJ Discover.”

The next decision for me was where to surface for the best absorption opportunity. The filming was taking place at the Lakewood Country Club for an on-location golf scene or the following day at Verve Restaurant in Somerville.  I surmised that it’s best not to hang around a hot golf course as Jersey was in heat wave, so I opted for the cool basement confines of Verve for the shooting of a dinner scene. And I’d get a chance to hang a bit with actor Garry Pastore; I’ve been a fan for years.

Time constraints of being on set and getting a few minutes to chat (at the break) with director Tom Baldinger made me formulate a direction I wanted to take with this coverage. I’m quick to admit that my experience of being on sets is somewhat limited although I was on set back in the 90’s with Meryl Streep, William Hurt and Renee Zellweger and wound up in the Christmas scene in ‘One True Thing.’ My focus for “Who’s Jenna….?”  was the art of detail and precision in the film making process.

Laura’s phone messaging last  Wednesday morning got me to Verve’s rear parking lot(on foot), through a rear kitchen door, down a steep stairway, through a narrow hallway to a basement dining room, filled with tables and patrons (all actors).  I never asked if this was an active part of the restaurant or just the basement set for a very funny scene. Seated at a large table, with cameras aimed, were actors Garry Pastore, Lenny Venito, Vic Dibitetto (also a very funny comedian whom I saw recently at Count Basie Theater at a Frank Sinatra Birthday Party), and Bill Sorvino, playing the lead role of Jonathan Burke. Next, Laura introduced me to the film director, Tom Baldinger; first and lasting impressions were that of an affable, intense, creative, focused force in the universe. It’s funny how fast you can “size” people. Waiters started bringing steaming plates of pasta, meat balls, chicken and foot long sausage in front of the seated actors; it was 10 AM.  Someone yelled, “Get the Dunkin Donuts coffee cup off the table.” Actor Michael Tota introduced himself. He and I have been part of central Jersey concentric circles; we never met live, but knew of each other.

Readers can go to the film website for more plot/story information. http://www.624-productions.com/#!whos-jenna/c6h0n

The basement area was relatively small; an additional eight tables or so had ‘diners’ (actors) to make for a perfectly realistic restaurant set; the table next had a woman and her young daughter. The small room size and 90 degree outdoor heat made the set challenging.  I watched the crew fill the four actors’ wine glasses half-way with grape juice.  The wine glasses would be an interesting focus for me; the exact level of the juice in the glass was maintained for the next 94 minutes (multiple takes) that I watched from the rear side behind the cameras where Laura and I were positioned. As they were ready to shoot the scene, I heard “Quiet on the set.”  I smiled. This was real.

I won’t give much away but the scene was hysterically funny as the four actors ate (pretended to eat as the sausage maintained its great length throughout), drank, conversed and laughed. I love watching eyes of the actors moving from person to person; just that small detail embraced me. Watching my friend Garry Pastore talk/act/move his eyes/laugh and then greet Michael Tota’s character when he walked over was  perfectly real. There was a poignant albeit funny story going on.  Director Tom Baldinger meticulously instructed Michael Tota how to grab himself while talking and then look at Vic Dibetto’s character. It had to be the same grab in every take. The repartee with Lenny, Bill and Garry was priceless. I’d love to use their words the next time I go to my primary care physician and see how it’s received. I savored every minute of absorption.

Something else I noticed; about the crew; a special esprit de corps. They were a well-oiled machine, anticipating, performing, and functioning like the offensive backfield of a local college football team. They loved what they were doing and with whom; their director. I like to observe those elements. The body heat generated in the basement’s close quarters moved me to Main Street in Somerville for an hour until I caught up with director Tom Baldinger just before lunch.

I mentioned to Tom that I have a relatively undiscerning eye when it comes to matters of film making but I’m a HUGE movie fan going to back to 1939 vintage. Tom was engaging and thrilled to be chatting. Once I flipped on my reporter’s recorder, he started. “For me it’s very important that what’s said-dialogue is not just dialogue-there’s a purpose to why people say certain things. That’s why when I write my scripts, I try to be very careful with the words that are said. I try to make sure that the voices are separate from each other-that the characters are separate.  There is a voice in each one of them. When you are on set, everything has to have a place because I’ve seen tons of movies-big budget films; sometimes the detail is not there. For me there are a lot of people watching movies who will not like a movie because there is something wrong-a missing detail-or if dialogue doesn’t match up correctly-or characters not really synching together. That’s very important to me.”

I mentioned, “Translates down to your crew. I was watching them measure grape juice in a glass to make sure it was exact level.”  “It’s all about continuity. How many times have you seen a movie where the glass is half-full and in the next shot- it’s the same conversation- the glass is either empty or not there. I was watching a movie last night-‘Mission Impossible 3’ and saw where all the extras were and I have to give a lot of credit to J.J. Abrams. A lot of time you’ll see movies with extras. They are in the shot then they are not there. My crew; I have to be honest with you. The meticulous and tight atmosphere really comes from them because I think they see me as a visionary. I’ve built this and I’m not trying to sound egotistical but I’ve built this company and in some ways they look at me as their leader and so they are on the ride. They want-they feel this is going to be successful. They want to be on the same boat. I’ve always set goals and reached my goals. I think that’s why everybody on this crew wants to do everything perfectly because they want to take this next step into this industry.”

Taking it further I added, “I’ve watched a melding of you all there.” Tom said, “Yes.” “I was so impressed with the detail. When Michael comes over to Garry at the table, you tell him exactly what to grab and do.”  Tom added, “Yes, when we shoot the reverse, we need to see him grab himself and that action-when we’re in post, you see Vic’s reaction. It makes my editor’s job so much easier. And when you are sitting around the post, you are not saying we forgot that or look at that.”

The night before I heard interesting news about Apple and the film business; “Your work as an Indie film maker has an interesting future. Apple announced yesterday it may give money to Indies.” “I hope so. I heard a little about that. I work on Wall Street and I’ve been out of work mode for the last week or two. My father who actually works for Bloomberg said you have to check this out. When I get a moment, I’ll read about it; very interesting.”

I thought Apple wants to do what Netflix is doing. Tom was quick to comment. “That is where the market seems to be going; where the industry is going and I’m going to quote a famous actor hearing him talk about Indie films. Alec Baldwin was on Howard Stern show a few weeks ago. He was talking about how film has changed over past 20 or 30 years; that now big budget movies are all technical, special effects, CGI. Not that the big budget films don’t get into the story or content but they are more Marvel and super heroes. I love those movies and I’m there with the popcorn, but the Indie industry-that’s where you get down into characters, stories and dialogues and really get into it. What the Indie film industry has done-it has born the writer-director and sometimes that’s good-sometimes bad because studios say we only have $250,000 to spend. We can’t spend another $100,000 for a director, so let’s make the writer the director. That’s a bad choice but when you have a good script and a good writer who can be a director, studios need to take that into consideration. Netflix, Hulu, Amazon Prime-all that stuff; it’s really starting to blow up. Quite frankly, ‘House of Cards;’ I said to my wife last year that they don’t have to win an Emmy; just be being nominated, Netflix was doing cartwheels down the hallway because they knew all of a sudden they got something and now everybody else is trying to do it.”

I asked Tom about quality. “Quality is better. I mean we’re shooting with a red camera where some of those shows you see with bigger name people are shooting with the same equipment. We’re trying to bring high quality products with lower budgets and eventually, hopefully somebody like Apple will say I like your product and I want to put more money into it and give us an opportunity to do even more.”

Tom smiled, took a deep inhalation and was ready to go on talking. It was I who suggested that he eat lunch but that down the road a spell, he should come on NJ Discover Live Radio/TV show with the cast and Laura Madsen and continue our chat. After a firm hand-shake cementing the deal and a photo-op of course, I was on the road again, heading to Yurcak Field on Rutgers campus with NJ Discover broadcasting the television coverage of the Skye Blue FC Professional Women’s Soccer match against Kansas City. A bunch of questions suddenly popped into consciousness on Route 287 to ask Tom and the cast. It would wait until October 5th for NJ Discover’s Live Show with them. We move fast here in Central Jersey.

SPOTLIGHT: ON THE NEW JERSEY SET OF FILMING “WHO’S JENNA…?”   AND A CONVERSATION WITH DIRECTOR TOM BALDINGER   bY  Calvin Schwartz    September 9^th 2015

Hooray for social media, networking and circles of commonality. For the last several years, Laura Madsen, publicist and innovative writer/blogger at  http://www.theladyinredblog.com/  and I have travelled in similar circles of commonality( as I call it). Our energies and passions emanate from Jersey life and the arts. If you’ve read my musings over the past few years, I’ve postulated that Jersey has become the pop culture capital of America and Laura is always at the epicenter. For verification of the postulate, just look at ‘The Soprano’s’, ‘Boardwalk Empire’, “Jersey Boy’s’, ‘Jersey Shore’, ‘Jersey Housewives’, ‘Garden State’, and ‘Jersey Girl’.  Laura and I never had the opportunity for the sharing of notes and synchronicities; we never met formally.

A few weeks ago, Laura contacted me via Facebook and asked if I’d like to cover the filming of a feature film, “Who’s Jenna…..?” which is a comedy  written by award winning producer, director Tom Baldinger from 624 Productions, LLC, a New Jersey based company. Laura hinted that the film title had something to do with an adult film star but that’s all she said. My response to her was immediate and decisive; “I’d love to hang around the set and do some absorbing and interviewing for NJ Discover.”

The next decision for me was where to surface for the best absorption opportunity. The filming was taking place at the Lakewood Country Club for an on-location golf scene or the following day at Verve Restaurant in Somerville.  I surmised that it’s best not to hang around a hot golf course as Jersey was in a heat wave, so I opted for the cool basement confines of Verve for the shooting of a dinner scene. And I’d get a chance to hang a bit with actor Garry Pastore; I’ve been a fan for years.

Time constraints of being on set and getting a few minutes to chat (at the break) with director Tom Baldinger made me formulate a direction I wanted to take with this coverage. I’m quick to admit that my experience of being on sets is somewhat limited although I was on set back in the 90’s with Meryl Streep, William Hurt and Renee Zellweger and wound up in the Christmas scene in ‘One True Thing.’ My focus for “Who’s Jenna….?”  was the art of detail and precision in the film making process.

Laura’s phone messaging last  Wednesday morning got me to Verve’s rear parking lot(on foot), through a rear kitchen door, down a steep stairway, through a narrow hallway to a basement dining room, filled with tables and patrons (all actors).  I never asked if this was an active part of the restaurant or just the basement set for a very funny scene. Seated at a large table, with cameras aimed, were actors Garry Pastore, Lenny Venito, Vic Dibitetto (also a very funny comedian whom I saw recently at Count Basie Theater at a Frank Sinatra Birthday Party), and Bill Sorvino, playing the lead role of Jonathan Burke. Next, Laura introduced me to the film director, Tom Baldinger; first and lasting impressions were that of an affable, intense, creative, focused force in the universe. It’s funny how fast you can “size” people. Waiters started bringing steaming plates of pasta, meat balls, chicken and foot long sausage in front of the seated actors; it was 10 AM.  Someone yelled, “Get the Dunkin Donuts coffee cup off the table.” Actor Michael Tota introduced himself. He and I have been part of central Jersey concentric circles; we never met live, but knew of each other.

Readers can go to the film website for more plot/story information. http://www.624-productions.com/#!whos-jenna/c6h0n

The basement area was relatively small; an additional eight tables or so had ‘diners’ (actors) to make for a perfectly realistic restaurant set; the table next had a woman and a young girl in the scene being filmed. The small room size and 90 degree outdoor heat made the set challenging.  I watched the crew fill the four actors’ wine glasses half-way with grape juice.  The wine glasses would be an interesting focus for me; the exact level of the juice in the glass was maintained for the next 94 minutes (multiple takes) that I watched from the rear side behind the cameras where Laura and I were positioned. As they were ready to shoot the scene, I heard “Quiet on the set.”  I smiled. This was real.

I won’t give much away but the scene was hysterically funny as the four actors ate (pretended to eat as the sausage maintained its great length throughout), drank, conversed and laughed. I love watching eyes of the actors moving from person to person; just that small detail embraced me. Watching my friend Garry Pastore talk/act/move his eyes/laugh and then greet Michael Tota’s character when he walked over was  perfectly real. There was a poignant albeit funny story going on.  Director Tom Baldinger meticulously instructed Michael Tota how to grab himself while talking and then look at Vic Dibitetto’s character. It had to be the same grab in every take. The repartee with Lenny, Bill and Garry was priceless. I’d love to use their words the next time I go to my primary care physician and see how it’s received. I savored every minute of absorption.

Something else I noticed; about the crew; a special esprit de corps. They were a well-oiled machine, anticipating, performing, and functioning like the offensive backfield of a local college football team. They loved what they were doing and with whom; their director. I like to observe those elements. The body heat generated in the basement’s close quarters moved me to Main Street in Somerville for an hour until I caught up with director Tom Baldinger just before lunch.

I told Tom that I have a relatively undiscerning eye when it comes to matters of film making but I’m a HUGE movie fan going to back to 1939 vintage. Tom was engaging and thrilled to be chatting. Once I flipped on my reporter’s recorder, he started. “For me it’s very important that what’s said-dialogue is not just dialogue-there’s a purpose to why people say certain things. That’s why when I write my scripts, I try to be very careful with the words that are said. I try to make sure that the voices are separate from each other-that the characters are separate.  There is a voice in each one of them. When you are on set, everything has to have a place because I’ve seen tons of movies-big budget films; sometimes the detail is not there. For me there are a lot of people watching movies who will not like a movie because there is something wrong-a missing detail-or if dialogue doesn’t match up correctly-or characters not really synching together. That’s very important to me.”

I mentioned, “Translates down to your crew. I was watching them measure grape juice in a glass to make sure it was exact level.”  “It’s all about continuity. How many times have you seen a movie where the glass is half-full and in the next shot- it’s the same conversation- the glass is either empty or not there. I was watching a movie last night-‘Mission Impossible 3’ and saw where all the extras were and I have to give a lot of credit to J.J. Abrams. A lot of time you’ll see movies with extras. They are in the shot then they are not there. My crew; I have to be honest with you. The meticulous and tight atmosphere really comes from them because I think they see me as a visionary. I’ve built this and I’m not trying to sound egotistical but I’ve built this company and in some ways they look at me as their leader and so they are on the ride. They want-they feel this is going to be successful. They want to be on the same boat. I’ve always set goals and reached my goals. I think that’s why everybody on this crew wants to do everything perfectly because they want to take this next step into this industry.”

Taking it further I added, “I’ve watched a melding of you all there.” Tom said, “Yes.” “I was so impressed with the detail. When Michael comes over to Garry at the table, you tell him exactly what to grab and do.”  Tom added, “Yes, when we shoot the reverse, we need to see him grab himself and that action-when we’re in post, you see Vic’s reaction. It makes my editor’s job so much easier. And when you are sitting around the post, you are not saying we forgot that or look at that.”

The night before I heard interesting news about Apple and the film business; “Your work as an Indie film maker has an interesting future. Apple announced yesterday it may give money to Indies.” “I hope so. I heard a little about that. I work on Wall Street and I’ve been out of work mode for the last week or two. My father who actually works for Bloomberg said you have to check this out. When I get a moment, I’ll read about it; very interesting.”

I thought Apple wants to do what Netflix is doing. Tom was quick to comment. “That is where the market seems to be going; where the industry is going and I’m going to quote a famous actor hearing him talk about Indie films. Alec Baldwin was on Howard Stern show a few weeks ago. He was talking about how film has changed over past 20 or 30 years; that now big budget movies are all technical, special effects, CGI. Not that the big budget films don’t get into the story or content but they are more Marvel and super heroes. I love those movies and I’m there with the popcorn, but the Indie industry-that’s where you get down into characters, stories and dialogues and really get into it. What the Indie film industry has done-it has born the writer-director and sometimes that’s good-sometimes bad because studios say we only have $250,000 to spend. We can’t spend another $100,000 for a director, so let’s make the writer the director. That’s a bad choice but when you have a good script and a good writer who can be a director, studios need to take that into consideration. Netflix, Hulu, Amazon Prime-all that stuff; it’s really starting to blow up. Quite frankly, ‘House of Cards;’ I said to my wife last year that they don’t have to win an Emmy; just being nominated, Netflix was doing cartwheels down the hallway because they knew all of a sudden they got something and now everybody else is trying to do it.”

I asked Tom about quality. “Quality is better. I mean we’re shooting with a red camera where some of those shows you see with bigger name people are shooting with the same equipment. We’re trying to bring high quality products with lower budgets and eventually, hopefully somebody like Apple will say I like your product and I want to put more money into it and give us an opportunity to do even more.”

Tom smiled, took a deep inhalation and was ready to go on talking. It was I who suggested that he eat lunch but that down the road a spell, he should come on NJ Discover Live Radio/TV show with the cast and Laura Madsen and continue our chat. After a firm hand-shake cementing the deal and a photo-op of course, I was on the road again, heading to Yurcak Field on Rutgers campus with NJ Discover broadcasting the television coverage of the Skye Blue FC Professional Women’s Soccer match against Kansas City. A bunch of questions suddenly popped into consciousness on Route 287 to ask Tom and the cast. It would wait until October 5^th for NJ Discover’s Live Show with them. We move fast here in Central Jersey.

IMDB “Who’s Jenna…..”  http://www.imdb.com/title/tt4317858/fullcredits?ref_=tt_ov_st_sm

NJDiscover   http://www.njdiscover.com/wp1/

Calvin’s Blog:  http://www.vichywater.net/blog/

WATCH FOR OCTOBER 5^th NJDISCOVER LIVE RADIO/TV SHOW  also featured on Long Branch Cablevision Channel 20 with Director, and Cast of “Who’s Jenna………..?”